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Oranje free sample – Prologue

This is the free sample of Oranje that I’ll post. You can find links to buy the whole book here.

——

Rain beat against the glass. It was autumn on Oranje, a time of frosty mornings and red grass. Dragan cared little about the weather, a small nuisance that had no effect on his many businesses. He looked out at the sprawling city beyond, no metropolis, but prosperous enough for such a small planet, and much of its wealth flowed through him.

He heard a faint noise of movement as the doors behind him slipped open. He turned, his many items of jewellery jingling as he did, to greet the young woman with his politest smile.

“The governor will see you now,” she said. He didn’t recognise her; barely a fortnight had passed since his last visit to City Hall. She must be the new secretary he had seen a few articles about. He followed her into the office of the governor. It was no match for his own house in opulence, but it was no hovel either. A few paintings on the walls and an elegant desk gave the room a bit of style. The governor, dressed in his usual grey suit, rose as he entered and greeted Dragan with a firm shake of his hand.

“It is good to see you again, Dragan.”

“You too, Riccardo.”

“Would you like a drink?” The governor opened a small cabinet on his desk and pulled out a short bottle.

Dragan held up a white hand to decline. “It is too early in the day for me.”

A single glass filled with liquid, and Riccardo picked it up, taking a sip that added a bit more brightness to his brown skin.

Dragan sat in the offered seat, arranging his long blue robes, as the secretary returned to her own desk, hidden in a far corner of the room.

“She seems a bit quiet to work for you.”

“Makes a nice change, doesn’t it?” Riccardo glanced at the grey skies outside. “What has brought you here in this weather?”

“You know why I’m here.” Dragan shifted his large necklace back into its proper position. “What are you doing about Bathala?”

Riccardo sighed. “The answer, I’m afraid, is the same as the last three times you asked me that question. I have no idea what you expect me to do. The planet has dropped off the Net; we’ve had no luck restoring communication with it.”

Dragan held up two fat fingers. “I have a couple of craft sitting in orbit laden with cargo that need to travel there. All they have done for the last month is drain money instead of making more for me.”

“No one has been able to get to Bathala,” said Riccardo. “Its transfer station is not responding, and we have no craft capable of transferring there on their own.” He shrugged his shoulders. “What more is there for me to do?”

“That cargo is worth a significant amount of money. The planet would benefit significantly from its sale,” said Dragan.

“You know I’m not going to turn down anything that can help with the budget, but I can’t make miracles happen.” Riccardo poked a finger in Dragan’s direction. “What makes you think I can do more than you and your vast resources?”

“Expense is never a problem for me. Politics, however, is a different matter. I do not have your skills in that area. The treaties do exist for a reason.”

Riccardo frowned. “You want me to contact the Republic and the Union.”

Dragan’s lip curled into a smile. He disliked the usual dance of hidden meanings with politicians and relished Riccardo’s directness. “They have the means to find out what is going on with Bathala.”

“But not the motivation I guarantee you.” Riccardo pursed his lips. “They only care about the independent planets when it has an impact on them. One small world having Net problems is not going to concern them.”

“The treaties say otherwise.”

The drink paused on its way to Riccardo’s lips. “The treaties only matter when either of them is involved. They don’t care about what us independent worlds do amongst ourselves.” With a swift motion, the drink disappeared down his throat.

Dragan moved the necklace again, and the metal clinked as he played with it. “A planet has dropped off the Net. That must matter to them.”

“They leave all that to the Curators in their hidden station.” The rain hammered at the windows again in another strong gust of wind.

“Maybe we should try contacting them?”

Riccardo almost dropped his glass. “The Curators? Are you mad?” He steadied his hand and poured himself another drink. “They only come out of their station to lord it over people whenever anyone tries to interfere with the Net.”

“The Net is their responsibility,” said Dragan.

“All they do when there are problems is send out automated craft to deal with it. The last time they got involved in events was when they almost brought down the Republic and Union governments to stop them controlling the Net. That is a power I want to make sure is focused as far away from us as possible.”

“If you won’t get them or the nations involved, then how do you propose we deal with this situation?” Dragan had balled his hands up into fists.

Riccardo tilted his head to one side. “This is not like you, to show such concern for another world. I wonder if that cargo isn’t worth more than I am aware.”

Dragan’s lip twitched for a second before resuming the calm, polite smile he maintained at all times. “It is valuable.”

“How much is it worth?”

Dragan held some of his jewellery in his hand and admired it. “Far more than any amount I would tell you about.”

“That big?” said Riccardo. “You must have another buyer lined up—only sensible business practice.”

“Not at the price I was getting,” said Dragan with a small shake of his head, causing more clinking in his jewellery. “Some fool collector on Bathala with more money than sense. They were going to pay double the market rate for some rare items.” He picked up the bottle and filled his glass that had stood empty until now.

“Double market value? You sure it was a genuine deal?”

“He is from a founding family over there; they control the industrial infrastructure or something.”

“Or something? Surely you did background checks on them?”

“I am no amateur.” Dragan’s mouth still smiled, but his eyes glared across the divide between them. “I do not recall exactly who they were. The rather exorbitant price was what stuck in my mind.”

“The families have never been short of money and like to get what they want. I’ve heard some very… well, odd stories about how much they’ve paid for items they desire.”

“I wouldn’t be surprised if many of them are true,” said Dragan. “They have a habit of getting their way.”

“Sounds a lot like you.” Riccardo laughed.

Dragan’s smile broke. “The difference is I’m not an idiot. I wouldn’t be where I am today if I acted like them.”

Riccardo held up his hands. “It was just a silly observation. I meant no offence.”

Dragan adjusted his necklace again. “To answer your earlier question: no, there is no alternative buyer at the price I can get at Bathala.”

Riccardo checked his neat fingernails. “This whole situation worries me, but there is simply nothing I can do about it. I’ll send a message to the Union and Republic, but I’d estimate the chance of them actually doing anything will be slim to none, especially as they’re squaring up against each other again.”

Dragan pulled out his mobile and began to scroll through his calendar. “I suppose there is no alternative. How…” The sentence trailed off as his mouth fell open and his brow furrowed.

“What’s wrong?” asked Riccardo as his secretary hurried up to him.

Dragan looked up with a shocked expression on his face. “I have no Net connection.”

Riccardo looked surprised before the colour drained from his face as his secretary whispered in his ear.

“Governor?”

Riccardo gulped. “It’s not just you; the entire planet is cut off from the Net.”

He did not even bother maintaining his smile. The governor and his secretary sprang into action, making calls to the head of the small military Oranje could afford, desperate to find someone with an idea of what was going on.

Momentarily forgotten, Dragan pulled out his tablet and unlocked it. Along the thin black bar at the top of the screen, the white circle that lived there all the time had now vanished, and his access to the Net with it. No signal showed; for the first time in any of their lives, they were not connected.

Riccardo turned to him. “No one has any idea what’s going on. Only the emergency military networks are working properly. There is an outside connection to the Net, but we have no access to it anymore.”

Dragan’s hand adjusted his necklace again. “I think we may be about to find out what happened to Bathala because it’s about to happen to us.”

A shout of surprise came from Riccardo at his computer. He was bent low, staring at the screen before he bowed his head and looked despairingly at Dragan. “Fifty military spacecraft just entered low orbit.”

Dragan struggled to his feet. “I think it is time for us to leave. This situation is not looking very friendly.”

The governor looked around him, staring as if hoping he would wake up, before he nodded. “We should get to the bunkers. I hope there is still time for that.”

Riccardo had just summoned his secretary to prepare for that move when he froze at a noise from his computer. Martial music was playing through it. He sent the display to the large monitor that hung on the wall beside them. An unknown logo filled the screen. “It looks like they want to talk to me.”

“We can hear it in the safety of the bunkers.” Dragan tried to usher the governor from the room. Riccardo pushed him away with a swipe of his arm as he planted himself in front of the display. The music stopped, and the logo was replaced by a man in military uniform.

“I hope I am speaking to Governor Reyes.”

“You are, but I have no idea who you are or what you think you are doing to this planet.” Riccardo folded his arms in front of him.

“My name is not important, but I represent the New Commonwealth of Man.” The busy activity of a military spacecraft control room could be seen behind the man.

“I still have no idea what is going on here,” said Riccardo.

“We are here to give you an opportunity, Governor.” The man’s expression was fixed and blank as he spoke. “The chance to be part of our great endeavour to reunite humanity.”

Dragan shuffled out of view of the screen and looked at Riccardo’s face. The governor’s anger was replaced by confusion and disbelief.

“That doesn’t tell me much. What are you doing here, and why are you interfering with our Net connection?”

“For the past two decades, we have united the regions of Lassen and Kyrenia under our dream, to make humanity great again.” The man’s expression was beginning to slip and show the white-hot passion underneath. “We wish to restore what made the old Commonwealth of Earth so great, to go back to the morals and technological achievements that saw us spread across the stars. We ask that you join us in this great task.”

Riccardo had recovered some of his usual charm. “If you are here on a diplomatic mission, why have you come with such force and terror?”

A smile slithered from the man. “Our mission is great, and we must do everything we can to ensure its success. We are giving you a simple choice. Join us, or we will destroy you.”

“A simple choice.” Dragan could hear the disbelief in Riccardo’s voice. “You expect me to make this decision now?”

The smile flicked back onto the man’s face. “You have a very large and very hostile force in orbit, Governor. Time is not a luxury you have.”

“Governor…” said Dragan. Years of being very successful and very shrewd could only prepare one for so much. “I’m certain they will allow us a moment to consider the matter.” His face had his biggest, most polite smile on it; he hoped it hid the terror inside.

“You have five minutes.”

The screen switched back to what must have been the logo of this New Commonwealth. Riccardo stared open-mouthed at the screen. He jumped when Dragan touched his arm and said, “Governor… Riccardo, we must agree with them.”

“Why the hell would I do that?” Veins strained on the governor’s forehead. “They come here, cutting us off from everyone else, and threaten us to join them, this New Commonwealth I’ve never heard of.”

“You know I am always one to look for a bit of risk, but they hold all the advantages in this situation. They know a lot more about us than we do about them.”

“How do they expect anyone to make a decision like this?” Riccardo stood with hands planted on his hips, one foot tapping away. “They must have done the same to Bathala.”

Dragan looked at the grey skies outside the window. The weather seemed very appropriate to the situation they faced. “Bathala must have refused to join them, which does not bode well for us. Listen to me, Riccardo. I have as little understanding of all this as you do, but I know that there is only one choice we can make.”

Riccardo stood defiant. “Oranje has been independent since the Collapse. I am not about to change that.”

Dragan grabbed Riccardo’s hand. “Listen to me. Unless we bend our knee to them, I’m not sure there will be an Oranje to free in the future.”

The governor looked at the hand locked with his, at Dragan’s wide eyes.

“These people are serious. That force in orbit is not just for show.”

Riccardo freed his hand and backed away. “They will not scare me.”

“By the Spirit, this is not about you!” Dragan pointed out the window. “There are millions of people out there whose lives depend on how you choose.”

“I won’t join them willingly. They can force us to, instead.” Riccardo turned to look out the window as well. “I will order the military not to resist; that will minimise casualties.” They stared at each other.

Then Dragan turned away. “It is on your head what happens next.” He set his heavy frame back down in his chair.

Riccardo took up a position facing the monitor again. They were silent until the representative of the New Commonwealth, more conqueror than diplomat, reappeared on the screen.

“What is your choice?” the man asked, no longer bothering to conceal his smirk.

Dragan looked on in despair.

Riccardo licked his lips and straightened up, his arms folded behind his back. “We will not join you. You’ve come here with hostile intentions and have shown us no reason to trust you. Threatening worlds who have never heard of you is no way to build a nation.”

The man turned and nodded at a person they could not see. “It has worked well enough for us so far.”

“It didn’t work on Bathala,” said Riccardo.

Anger flashed briefly from the man’s eyes. “They made the same mistake you did.”

“Centuries of independence is not something you throw away.”

“Then you will face the alternative. You have chosen your own destruction.”

Alarms blared on the governor’s desk, and the secretary hurried to see the bad news they announced.

She looked up in a panic. “They’ve launched missiles at the surface. The radiological alarms have been triggered; they have nuclear warheads.”

“By the spirit.” Dragan sank his head into his hands as Riccardo turned back to the screen, his face full of righteous anger. “There are millions of people on this world! Why are you doing this?”

“You wouldn’t join us. We are not about to leave a potentially hostile planet to its own devices.”

“Our military is not a threat to you. You could take Oranje without a fight.”

“Occupying unwilling worlds and dealing with uprisings and insurrections takes time and resources that are better used elsewhere. This way we guarantee you will cause us no problems.”

“You’re monsters.” Riccardo’s mouth hung open.

The man grinned wider. “We are doing what we must to ensure a better future for all of us. Goodbye, Governor.” The screen went blank.

A tear rolled down Dragan’s face. “Why didn’t you listen?” he asked through gritted teeth, face still in his hands. “Look what you’ve done.”

The governor was still staring at the screen, mouth opening and closing as he fought to form words. “I did not think they would do this.”

“You’ve killed us all.”

“No.” Riccardo was facing him now. “I haven’t. They have. Louise…” he said, turning to his secretary.

She was staring out of the window, her faced covered in tears like Dragan’s.

Riccardo clapped, making her jump. “Louise, I need you to do something for me, something urgent.” He walked to her and placed a reassuring hand on her shoulder. “I’m going to record a message warning other worlds. You need to get it to the military. Tell them to broadcast it however they can. Someone must know the truth of what has happened here.”

She wiped away her tears. Riccardo turned to his computer and began to record.

“This is Governor Reyes of Oranje. We are under attack by a force that has identified itself as the New Commonwealth of Man. They cut our connection to the Net and demanded we join them. I refused. There are now nukes heading towards every inhabited part of the planet. I don’t know if anyone here will survive, or if anyone will hear this, but I have to try. Bathala has already been attacked by them, and I don’t know where will be next. If you have found this message, warn everyone you can because the rest of September will be next. Millions lived on this world… I want their deaths to mean something.”

With it finished, he transferred it to a memory stick and placed it in Louise’s hands. She gave Riccardo a brief salute before hurrying away to carry out his last request as governor. He walked back to the window, where missile trails were now visible high above.

“I never thought I would die like this,” said Dragan.

Riccardo touched the glass in front of him. “At least it will be quick.” The rain was still waging its small war against the glass.

Dragan dragged himself to his feet and walked over to join him. “I wanted to die in my own bed after a very long life. All my other dreams have come true, but that one is now unattainable.”

Riccardo glanced at him. “Funny, I had good odds on you being assassinated. You always had a way with people.”

Dragan looked at him before they both broke into quiet laughter and smiles. “That is the risk of being ruthless when needed.”

Riccardo’s smile faded as his eyes followed the path of one of the missiles. “I wish I had agreed with them.”

“You stuck to your beliefs. It makes you an idiot and a very good man.” He held out his hand to Riccardo, who took it in a firm handshake. “It has been a pleasure.”

“You too, Dragan.”

They shook hands and held on to each other.

A flash illuminated the clouds, and a shockwave of death raced towards them as a mushroom cloud filled the sky.

——

If you enjoyed this sample you can buy the full book here.

What I Learnt Writing Oranje

Yesterday I clicked the publish button on my first book, Oranje. It’s been a long time coming, and the process has definitely been one that’s taught me a lot, and I wanted to share that information with everyone. Note: this is what worked for me and my writing process, so your mileage may vary, but some of the tips I think are good for everyone who writes or self-publishes.

  • Outlining helps make sense of the plot – This I think especially applies with series or longer works. Oranje is 112,000 words and the first in a four part series. Outlining the book in advance, a few bullet points per chapter, has helped me keep track of all the story threads and make sure they all progressed properly. It’s also meant I can dive straight into book 2 as I know where I need to go with the story.
  • First drafts allow you to suck – The important thing about a first draft is getting to the end. It’s very difficult to judge the story of a book without having the whole thing in front of you to look at. Quality should not be a concern for the first draft, get the words on the page, get to the end, and then see what needs to be changed or adjusted.
  • Second drafts are for story – This is where you can get everything sorted out. Sure your first draft might have story lines that go nowhere, or sections that circle and meander around. That’s fine. The second draft is where you sort it out and nail down the story. Improving the quality of the prose and writing is always good, but until you’ve got the story sorted you might end up editing stuff you end up removing anyway.
  • Have other people read your work – Art does not exist in a vacuum, and books are no exception. The story might be perfectly clear and understandable to you because it lives in your head, but to others it might be confusing or difficult to understand. Giving your story to people you trust to read can help give you the feedback to push the book a few more notches up the quality ladder.
  • Editors improve the quality of your writing and also the story – First, if you’re self-publishing, hire an editor, you should be aiming to put the highest quality work you can. They help by not only improving your prose and writing, but they will likely be the first person to really read your work with a thoroughly critical eye. Listen to what they say, but also remember what you were aiming for with your story as well.
  • Proofreaders are a must – The more eyes you get to go over your book once it’s finished, the fewer errors there will be in it when it’s released. It’s that simple. People will always miss some errors when reading, the best way to catch them is to have many eyeballs go over it.
  • Great covers help show the quality of your work and help advertise the book – Another bit of advice more for authors going the self-publishing route. If you want your work to look professional, you need a professional cover as well. It can be expensive at times, but the money you invest in a good cover will be seen in the quality of what you end up with. I used Jason Gurley, who’s also done covers for Hugh Howey.
  • The book description is vital – You can have the best book in the world, but if the description sucks very few people will buy it. This is the second hook to get people to read your work, after the cover. Spend enough time working on it, and seek feedback on others. You want something that shows what the story is without going into too much detail, you want to make someone want to read more.

As I said at the start of this post, this is what worked for me, and enabled me to write and finish my first ever book. This advice won’t work for everyone, but I hope it helps some people with your writing. Thank you for reading.

If anyone’s interested in checking out my book, you can find links to it on the various Amazon stores here.

Unintentional Racism

This post is inspired by a realisation I’ve had when it comes to Oranje.

First off I have to say that the 3 protagonists are all people of colour, and that is a deliberate choice given how under-represented that group is in SFF at the moment. I can’t provide a different cultural perspective on the genre, but I can try and improve diversity in my own way.

The realisation I’ve had, is that in the current draft of Oranje, I’ve only described the skin colour of the characters who aren’t white.

Yeah.

Little bit racist.

Luckily I can correct this now Ive realised I’ve been doing it, I need to do more work on the description of characters anyway, and I’m going to make sure all the main characters have their skin colour described.

I’m sharing this example of a fuck up in my current draft as it is a good example of racism happening where it wasn’t the intention. My goal is to have a diverse group of characters, and to improve the representation of PoC in SFF. Unintentionally I’d done so in a way that was also a bit racist, which I can and will be fixing before the book comes out.

There are a lot of assumptions that come with being part of society, and some of those are about what people think the default colour for peoples skin is. Racism might not be as big a problem as it was in the 60’s or 70’s, but it is still around, often in less overt ways. It happens with the way you see very few main characters of colour in books, TV shows and movies. It’s there in the different stop and search rates for white people v PoC.

As someone who cares about equality, but belongs to the most privileged group in society, white men, it’s my job to make sure to do what I can to address the issue of diversity, and question the assumptions I make. It’s my job to make sure I don’t do something racist even when I only have the best of intentions.

So I’m going to correct my error and make sure Oranje is the best book it can be. I hope this serves as a good example of what I intend, and also where everyone can make mistakes that don’t help deal with complex issues like racism.

Updated Oranje Cover, and interview

But wait, haven’t I already got a cover?

Yeah, I do, but I’ve never been completely happy with it. This is no fault of the artists, the amazing Jason Gurley, as he was following my brief.

I allowed myself to think I needed to have a conventional science fiction cover in order to have my book fit in with others in stores. It’s advice I’ve seen in several places and I let that lead me. But it never sat right with me.

As I’ve been working through the second edit I decided that the decision was a mistake, that I should have gone with what my original idea for the cover was a long time ago. A nice, minimalist stylised cover that stands out and is immediately eye catching.

So, I got in touch with Jason to have a redo of the, and wow has he delivered.

Ebook (click on enlarge images)

Lusted_ORANJE_EbookEdition

Paperback

Lusted_ORANJE_PrintEdition

You can also see the updated back of the book text on the larger paperback image.

I think everyone can agree that Jason has done astounding work for the cover, and I couldn’t be happier with them. This style will also be carried forward for the other books in the series.

I’m really glad I decided to redo the covers, as the outcome has been fantastic.

Jason enjoyed doing this cover so much (he thinks it’s the best he has ever done!) that he did an interview with me that you can find here.

The Second Edit has Begun

Quite a while ago now I posted up about having finished the second draft and beginning my own editing of it. That was done in September and the book went off to the editor at the start of October. On Tuesday, a month later (it is a big book of 114,000 words) they came back with their first set of edits and we had an hour long skype chat where we talked about their changes.

Going into the call I was nervous, this was the first person to have read through the whole second draft and also the first to do so with a very critical eye. I mean worst case scenario they would have told me I needed to rewrite the whole thing to get it up to scratch.

Luckily the news was not worst case, or even bad. The news was quite good.

Okay there were plenty of grammar issues, but I was expecting that with this being the first ever book I’ve properly finished, and that is why you hire an editor. When it came to the story there were no big revisions suggested which was great to hear. There are some of my own I’m going to add in as they add more depth to the story and setting. But it is nice to hear that the entire thing doesn’t suck.

The main changes needed revolve around the amount of dialog v the amount of description, I have way too much of the former and not enough of the latter. I also repeated the same information within and across chapters.

So there are things I need to change, but I knew that to begin and now I know what I need to do to make the book better. I’m first of all going through all the revisions the editor has made and incorporating them and then it is on to the more substantial changes by myself.

It feels great to be working on the book again after a break, I hope I can get all these revisions done by the end of the month and back to the editor but we’ll see.

There is a good book here, now is the time for me to really put in the work to make that happen. Onwards I go.

The characters in the September series and #DiversityinSFF

With the #DiversityinSFF conversation happening on twitter, nicely summarised by Jim C. Hines here, I thought I would post my thoughts on the subject and what I’m doing about it.

The issue, as described very well by this Guardian article, is that SF writers but also science fiction characters and settings tend to be very white, very male and very much based on the current day US and UK societies and cultures. I fully agree with the article. Women, non-straight sexual identities, disabilities, non-white ethnicity are all under-represented, or when present often in ways that further bland backwards stereotypes of those groups. I’ve lost track of the amount of times the main female characters in a story are just there to be love/fuck interests for the male protagonist.

I’m a straight, white, middle-class, British writer which there is certainly no shortage of. There need to be more writers being published or being promoted who come from different ethnic, cultural and also class backgrounds so that we get sci-fi stories as varied as humanity is. But as part of the main kinds of writers there are I can make a conscious choice in how I write, what I write and the characters I put in my stories to make the situation better.

This has certainly informed my choice of characters for the September series. There are three protagonists, the storyline swapping between their perspectives to tell the overall plot. Each of them is going to be a woman.

Note: all the information I reveal here is established fairly early on in Oranje so shouldn’t really spoil anything when I come to post up early sections of the book later on.

Isi is the youngest in her late twenties and is part of the Curators a group that maintains and control the Net, a galactic scale version of the internet. She is from an Indian ethnic background (the series is set a 1000-years in the future so there has been more mixing between different ethnic groups). She is a lesbian and has Waardenburg syndrome and will have many of the symptoms of the condition. Brilliant blue eyes, grey hair, wide-set eyes leading to a self-described ‘interesting’ face and profound hearing loss so she uses hearing implants to hear as normal. A passionate and driven idealist, she can be reckless in her actions and has problems with her confidence from time to time.

Marienne is in her late fifties, straight and married with a daughter. She is a General in the Space Force of the Union of Nine Worlds. She is short and from a West African ethnic origin, going back to one of the old French colonies. She used to lead the Academy that trained new officers but has now been appointed to command one of the regional forces that protects the Union. A disciplined officer and consummate professional she does not let personal issues get in the way of doing her job.

Violeta is Governor of the planet Arausio that is part of the Arausio Republic. In her late sixties and one of the most influential politicians in the Republic she is also in an on-going relationship with one of the Ministers in the Republic Government (because it frankly annoys me that women in most stories past a certain age seem to have completely forgotten their sex drive when people tend to be interested in that for a very long time). Driven by deeply-held beliefs she is popular with the public but can antagonise those that oppose her views. She is from a North African/Middle Eastern ethnic origin.

So three main characters, all women, all from ethnic backgrounds you don’t tend to see for protagonists and representing a wide range of ages and personalities and different sexual orientations. All have strengths and weaknesses, all are flawed, all are human.

It might seem a big much going from mostly male protagonists to all female ones, but I see it more as a statement of intent. I care deeply about feminism and gay rights and equality and that is inevitably going to filter through into my writing. This is just one series, but I hope it is part of a move in the SF community that leads to more protagonists from a wide range of backgrounds so that no matter who you are or where you are from there is a character that represents you. The universe of the September series is very much extrapolated from current British and American society so it’s not going to break any grounds there simply because that is the background I come from. I’m looking to do better on that front in future books, but right now I’m going to make sure that a diverse cast of characters inhabit the worlds I’ve created.

Equality isn’t optional, stories shouldn’t have less diversity in them than real life. It is time that written SF realised that, and this is how I will play my part in it.